If they’re slow to the uptake, you know you’ve got a nice, dull keeper. “But you, you’re a rock with a heart / like a socket I can plug into at will,” she sings, so sweetly it may as well be lead sugar poured in wine, “And will you guess when I come around next? / I hope your open sign is blinking still.” Wait… did you pick up on that? If that one doesn’t quite land, try this wedding vow on for size, paired with a nice glass of champagne and honeymoon-ready violins: “Let’s do what Mary and Joseph did / without the kids.” Here’s a fine litmus test for your significant other-run it back, give them a soft, loving touch, and tell them “Marry Me” always reminds you of them. “Marry Me” is a sinister inversion of expectations of women’s emotional availability, twisting it into a dark portrait that preys on masculine fear of monstrous women. Vincent’s aesthetic has been a transposition of beauty and ugliness-it’s difficult to tell where one begins and ends, as they are often so inextricable from one another.
Not to mention, the song itself is a five-star banger. Regardless of Clark’s own personal relationship to this song and the drugs she’s singing about, “Pills” works like a searing takedown of our obsession with cure-alls. In an interview Clark said it’s not explicitly about America’s broken pharmaceutical industry, but it’s kind of hard not to hear it that way. Vincent’s discography, “Pills” doesn’t try to hide its message: We, as a society, are supremely quick to reach for a bottle when any malady (mild or malicious, mental or physical) hits us out of the blue. One of the most on-the-nose (or should we say on-the-tongue) songs in St. Vincent, this generation’s preeminent rock star. So, just because we love her, here is our ranking of the best songs by St. Regardless of when she decides to release new music, we already have a wealth of St. It’s been almost three years since she released her last album, 2017’s MASSEDUCTION, which means a new one very well could be in our future in 2020. Annie Clark doesn’t stand still, and, generally speaking, whatever she touches turns to a slithery, beautiful shade of silver. Just last week, she announced a collaborative athletic clothing line with hip athleisure brand Outdoor Voices.
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She’s even debuting a movie with S-K frontwoman Carrie Brownstein at this year’s SXSW. She once made an album with rock legend David Byrne. She produces for other people (namely: Sleater-Kinney’s sleek 2019 release The Center Won’t Hold). She’s a whip-smart lyricist, a meticulous creator of pop songs, an artistic visionary and an actual guitar designer. Even if she is a truly extraordinary guitar player (which, let’s be clear, she is), she’s so much more than that. Vincent alias since the mid-2000s, around the time when she released her debut album Marry Me, can’t be put in a box. But Annie Clark, who has been recording under the St.
Vincent is one of the best guitarists around.
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